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Russia Engages the World, 1453-1825
1453 Through the Reign of Ivan the Terrible (1533-1584) The Time of Troubles to the First Romanovs (1598-1682) Peter the Great and His Legacy (1682-1762) The Age of Catherine the Great (1762-1801) The Reign of Emperor Alexander I (1801-1825)

                                     

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  Russia Events
Engagement Symbol The Building of the Kremlin, 1156–1516
Russia Symbol Ivan IV Takes a Wife, 1547
Engagement Symbol Taking of Kazan, 1552
Russia Symbol Printing of the First Book in Moscow, 1564
Russia Symbol Oprichnina, 1564
  World Events
World Symbol
The Golden Horde, 1300s
World Symbol
Ottoman Capture of Constantinople (Istanbul), 1453
Engagement Symbol The Establishment of the Safavid Dynasty, 1502
World Symbol
The Protestant Reformation, 1517
Engagement Symbol The Jenkinson Mission to West Asia, 1558
Special Features


Russia's Globalization:
A Key

Events marked Russia Symbol are specific to Muscovy/Russia's internal development.
Those marked World Symbol are important world historical or cultural events.
Engagement Symbol indicates specific points of sociocultural or military engagement between Muscovy/Russia and foreign powers or individuals.



Russia Symbol Russia's Old Capital, from an Italian Brush

 
 Russia's Old Capital, from an Italian Brush
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Francesco Camporesi (1747–1831)
Colored etching of the Moscow Kremlin
N.p., ca. 1790
NYPL, Slavic and Baltic Division

Although dating from the late 18th century, this etching, part of a panoramic series depicting the Kremlin walls and the structures within, documents many buildings originally constructed in the 15th, 16th, and 17th centuries.

The exterior walls, towers (although the pointed roofs were added later), and many of the religious and secular structures within its walls were designed and built by Italian architects originally hired by Ivan III (r. 1462–1505). They successfully merged Muscovite aesthetics with the latest construction methods, providing an excellent example of how Muscovite Russia sought foreign expertise on a key project – while largely maintaining a native style.

Francesco Camporesi made his sketches for these hand-colored engravings from the perspective of the opposite bank of the Moscow River. Visible here is the Palace of Facets (1491, designed by Marco Ruffo and Pietro Solario).