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Pygmalion
and Galatea narratives, including The Marble Maiden,
The Marble Heart, Pygmalion, My Fair Lady
In the Greek myth, the intensity of an artist's love for
his statue of a woman brings it to life. Pre-classic opera and
Romantic ballet maintained the plot as a symbol of transformative
adoration. Nineteenth century playwrights were also drawn to
this myth but, in reaction to the rise of feminism and suffragists,
questioned its happy ending. Engraved illustrations and posters
show Victorian ballets, burlesques and comedies. An Art Nouveau
poster represents a forgotten Pygmalion and Galatea by
W. S. Gilbert. This section also looks at George Bernard Shaw's
ironic play, Pygmalion, and the Lerner & Loewe musical
based on it, My Fair Lady.
The Marble Maiden (choreography: Ferdinand
Albert; music: Adolphe Adam; libretto: Henry Saint-Georges and
Ferdinand Albert)
Lithograph of Adele Dumilâtre and Lucien Petipa
London: M. & N. Hanhart, printers, 1845, after a lithograph
by J. Brandard
Lincoln Kirstein Collection, Jerome Robbins Dance Division
Pygmalion and Galatea (W. S. Gilbert, 1871)
Poster of Julia Arthur in 1899 New York revival
NY: Russell-Morgan, 1899 from a photograph by Stefens, Chicago
Billy Rose Theatre Collection
Cecil Beaton
Illustration based on the "Flower Girl" costume for
My Fair Lady, ca. 1956
Billy Rose Theatre Collection