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Theatrical Device


Creative Process

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Effects and Theater Design
Transformation effects and theater design

This section investigates methods used to realize transformations. Contemporary set models, toy theater illustrations, and a selection of engravings and posters illustrate the audiences' view point while patents, architectural plans and technical instruction manuals from 1760 to the present reveal designers' secrets


Acquatint engraving by Domenico Ladrini of the interior of Teatro alla Scala, Milan, 1800, showing an unidentified production
Gif of Lincoln Kirstein, Jerome Robbins Dance Division

Pelia e Milito (choreography: Salvatore Taglioni)
Engraving by Alessandro Sanquirico of the production at Teatro alla Scala, Milan, 1827
Milan: Antoni Bossie Editore, 1827
Cia Fornaroli Collection, Jerome Robbins Dance Division
Jacobo Fabris,(Instruction in Theatre Architecture) and Mechanics, 1760
Instructions on rigging stage machinery, Plate V
Billy Rose Theatre Collection
The Fairie's Home
Lithograph by Currier & Ives, 1868, inspired by scenes in extravaganzas produced at Niblo's Garden, New York
Jerome Robbins Dance Division
Maria Medina Vigano depicted as Terpsichore
Stipple engraving
Wein: Herausgegeben von C. Pfeiffer and I. Firdlberg, 1794
Jerome Robbins Dance Division
     
Psyche (opera by Jean-Baptiste Lully). Engraving by Henri Berthet, after Louis Binet, of an unidentified production, ca. 1785. Dance Special Acquisition Fund, Jerome Robbins Dance Division

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