This website is part of The New York Public Library's Online Exhibition Archive. For current classes, programs, and exhibitions, please visit nypl.org.




Theatrical Device


Creative Process

Close-up

Home

Acknowledgements

Nature Transformed
1. 2. 3.

Volcanos in Massaniello [The Dumb Girl of Portici] and The Last Days of Pompeii

It was not unusual for mid 19th century historical fiction to be adapted for plays, opera, ballet, and film. Two popular melodramas with many such adaptations relied on erupting volcanoes for finales. Massaniello or The Dumb Girl of Portici concerns the Neapolitan struggle for independence. The non-speaking role of Fenella became associated with ballerinas from Fanny Elssler to Anna Pavlova, who appeared in the 1915 film. The Last Days of Pompeii, a novel of Roman decadence, spawned many epic stage and film presentations, documented here through prompt books, detailed broadsides and storyboards from the 1935 film.


Der Stummer von Portici [Massaniello, or The Dumb Girl of Portici] (choreography: Filippo Taglioni after Jean-Louis Aumer, music: Jean Francois Auber)
Engraving of Fanny Elssler as Fenella
Wein: Bureau der Theaterzeitung, 1832
Gift of Lillian Moore, Jerome Robbins Dance Division
     
 
     
The Last Days of Pompei (R-K-O, 1935)
Storyboard for the climactic scenes of the film, illustrated by Charles Lennox Wright
Billy Rose Theatre Collection
     

Privacy Policy | Rules and Regulations | Using the Internet | Website Terms and Conditions | © The New York Public Library