Variations
and Arrangements: Mozart's Don Giovanni
Aside
from the limited repertoire and availability of mechanical instruments
(such as music boxes), the only way to hear music, before the
advent of player pianos and electricity, was to perform it oneself
or to attend a live performance. With regard to stage works, although
operatic performances were available, certainly few people could
afford to hear operas many times over to gain a thorough knowledge
of a work. Operatic full scores (a vertical alignment of all performers'
parts) were rarely accessible to the public at large, but reductions
for voice and piano and arrangements of them as well as compositions
based on themes from them (as, for example, Liszt's Reminiscences
de Don Juan) were available. Indeed, it was through these
transformed versions that the music was disseminated and popularized.
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Joseph Küffner
Don Juan grand Opéra composé par W. A. Mozart
arrangé en Quatuor pour Flûte, Violon, Alto et Violoncelle
Mayence: Chez B. Schott flis [sic, 1822?]
Music Division
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