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The New York Public Library for the Performing Arts

Inspired by Hellenic narratives


Edith Wynne Mathison as Andromache, 1917.
Edith Wynne Mathison as
Andromache, 1917. – Billy
Rose Theatre Collection, NYPL


Federal Theatre Project's The Trojan Incident, 1938.
Federal Theatre Project's The
Trojan Incident
, 1938. – Billy
Rose Theatre Collection, NYPL


Theatre of the Lost Continent's The Trojan Women, 1974.
Theatre of the Lost Continent's
The Trojan Women, 1974.
– Billy Rose Theatre Collection, NYPL


Eugene O'Neill's Mourning Becomes Electra.
Eugene O'Neill's Mourning
Becomes Electra
. – Billy Rose
Theatre Collection, NYPL


The stories of gods and heroes formed the subject matter of the extant Greek tragedies of Aeschylus, Sophocles and Euripides, which had been written for annual Dionysian festivals in Athens. Translations of those plays, of Homer’s epics, The Iliad and The Odyssey, and of other narratives were available in English. Gilbert Murray’s translations of the plays were the most popular for performance, but other adaptations were also used. Revivals and reinterpretations of the Greek tragedies, epics and tales gave theater, dance and music creators throughout the century a chance to create new forms of performance and production.

The exhibit divides these works by subject matter, not performing arts genre. Tales of Troy – The Iliad, The Odessey and the House of Atreus.
Topical issues were often attached to tales of the Trojan War and its protagonists. Plays of the House of Atreus, such as Electra, deal with issues of fate and justice. The Trojan Women, called “one of the greatest pacifist documents in the world,” emerges to represent refugees and victims of war.

Tales of Dionysius and the Bacchantes were presented in eras of social change. Tales of heroes, such as Jason, Theseus and Oedipus were re-interpreted to focus on the women characters, as in choreographer Martha Graham’s works about Ariadne, Jocasta, Alcestis, and Circe, among others. Medea, a study in anger, has been a catalyst for new interpretations and experimental performance throughout the century.

Margaret Anglin as Medea, ca. 1917.
Margaret Anglin as Medea, ca. 1917.
– Billy RoseTheatre Collection, NYPL


Sketches by Judith Malina of the Living Theatre's Antigone, 1967.
Sketches by Judith Malina of the Living Theatre's Antigone, 1967. Living Theatre Records, – Billy Rose Theatre Collection, NYPL

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