In sheer volume, Nabokov's American stories were dwarfed by his Russian output. Between the completion of his first novel in English, The Real Life of Sebastian Knight, in 1939, and his first novel written on American soil, Bend Sinister in 1947, he wrote five stories in English. James Laughlin included those five, along with three translated from Russian and one translated from French, in Nine Stories (1947). Along with his occasional New Yorker poetry, these stories served as Nabokov's introduction - first in The Atlantic, later in The New Yorker - to an audience unfamiliar with his critical studies and translations. His first three stories - "The Assistant Producer," "That in Aleppo Once," and "A Forgotten Poet" - are all set in Russia, and involve somewhat experimental narrative devices. In "Time and Ebb," his ninety-something narrator details 1940s New York through a retrospective scrim, vividly recalling his experiences of eighty years before. "Double Talk," which was later renamed "Conversation Piece, 1945," was published in June 1945. It is his most political short story, taking postwar Russian émigré and American Soviet fellow-travelers to task along with German sympathizers of all nationalities. "Signs and Symbols," arguably Nabokov's best story in English, was published in May 1948, and "Lance," the last of his English stories, in 1952. ("The Vane Sisters" was published in 1959, just after he sailed for Europe with Véra, but had been finished since 1951.) The success that chapters of his memoirs and Pnin garnered between 1948 and 1955 secured his popular audience and financial security, allowing him to focus on longer works.
Martha Foley, editor 55 Short Stories from The New Yorker Vladimir Nabokov Vladimir Nabokov Vladimir Nabokov Vladimir Nabokov Vladimir Nabokov Vladimir Nabokov Vladimir Nabokov |
Russia
1899-1919 | Europe 1919-1939
| U.S. 1940-1960 | Switzerland
1960-1977
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